Saturday, May 4, 2013

The Forty Box Trick



Today is one of those days when getting started seems doomed. Between the sinus pressure and the allergy medication fuzz, my get-up-and-go is impeded by inability to make decisions and being easily flummoxed by missing packing tape. When you are packing forty-leven boxes that will be stored, it behooves you to carefully mark them and keep a list of what's in them. 

When the markers, boxes, packing tape and labels are in the same place, that place is not where I am. Go up into the attic and go down into the cellar, and while you're at it, clear the garage loft, Cinderella. 



Most of the time I have the all-important notebook indicating box and contents. Packing tape and markers wander. Adhesive labels disappear, only to surface when I have no need of them. I've inherited boxes of photos and fabrics from other family members. As I sort through them, I mark the year on the box or label in the forlorn hope that I will not have to reopen the box again this year. 

Because I've inherited a lot of sewing stashes, I devised the 40-Box Trick. At any time, the floor is covered with as many open boxes as will fit in a room. Things get moved from Aunt Kawhatsis' sewing box to the box for zippers,  snaps, or fabric. There are two boxes for each: Keep and Give Away. Throw Away is one enormous black sack that gets taken to the recycling bin when all I can do is drag it. 

I have a 14 x 14 inch box full of zippers because you just never know when you might need a vintage metal toothed zipper. That's right, I inherited zippers carefully unpicked by folks who lived a day's carriage ride for the nearest town. They had habits of recycling which seemed sensible, and the saved zippers might have been useful had this bonanza arrived when I was young and impoverished and making clothes to attract attention. Now I make clothes to cover the bare and they don't tend to be dresses.

 I have card after card partially filled with snaps of varying sizes because I sew doll clothing and  used to buy the smallest size by the gross. Now it is more politically correct to use Velcro for doll clothes for kids than to teach them to operate snaps and buttons, and that snaps and buttons are not food. It doesn't matter than the doll clothes are clearly for children older than 4, at which age they no longer put everything in their mouths. It doesn't matter that after 4 years of use, the thing might need to be resewn. Nope. Better safe than sorry. Use lumpy Velcro for doll clothing for kids and toss those partial cards of snaps because heaven forfend, a child might locate your hobby cupboard, rummage through and bite the snaps off the cards.    

I could do a history of snaps storyboard, and a history of buttons from pottery and pearl to cardboard, pot metal, plastic and polyform clay. The folks whose stashes I inherited didn't have time to use all their supplies, and hope springs eternal. I mean, I MIGHT make a fabric belt to match a shirtwaist, right? Or need to replace the pockets of pants? And this is AFTER I sent 10 or 15 cartons of stuff off to a church bazaar. 

I have boxes of ditsy prints, scaled for small dolls, sorted by color. There is a box for table linens never used but often taken out and stroked while tales are told about what happened when they were in constant use. I plan to turn some into clothing. You will hear screaming from my relatives. There are boxes of draperies, and I'm keeping them, all of them, even if there are too many for the average room or the color is not what I'm using this year. It is hard enough to find draperies in colors and prints I can enjoy. Whether I sewed them or bought them, I want them because I am NOT going through that horror again, and besides, mine are natural fiber. When one is allergic to the 20th century, natural fibers matter. 

At this point, so much of the clutter is precious that making decisions is impossible. Stop. Just box it. I know this would be sane. But if I box it, it means I want to take it, and I don't want to be in hock to moving companies for the next 30 years.


Sorting the stash

No one needs 30 little old ladies' worth of vintage seam binding in red and green. Other colors are harder to find and often are just the ones I need. But wait, you say! Aren't you the person who owns little metal things that make bias tape. And didn't you find and buy entire rolls of bias fabric at Goodwill? Well, yes I did, but they are red, navy and gingham pink. I've been using them for years, haven't made a dent in the amount, and ...Yes, I know I am unreasonable. No one needs as much as I have. And it is possible to make more. BUT I know these bias bindings and the way they handle, and that makes them worth keeping. I keep the whole thing because winding off yardage is a time consuming nuisance.

What about the tiny doll scale embroidered appliques that I don't need at the moment? When I needed them, I had little access to fabric stores and no one seemed to stock them in any color I might use. I toss ribbons that are easy to replace and keep the ones that tug at my heart.

I am down to the dregs of sorting. Do I put all seam rippers and measuring tapes together so I can lose them all at once, or do I follow my grandmother's habit of making up a small sewing kit for every room? Her habit is part of the reason so much of this stuff  had been stashed helter skelter, why there are so many multiples. I had my portable sewing kit, my portable jewelry-making kit, and thread sorted by which sewing machine found it acceptable. Most of my belongings will be in storage for months, and if I put them all together, chances are I'll have to buy more or live without them. Living without sewing is not living.

I've done the easy stuff. What is left has sentimental value, or spurs my imagination, and that's good, except that en masse  it tends to be, well, MASSIVE. These are all things that technically one can live without. I don't bead every day, but over the years I've acquired a collection of findings. Even if new findings are better, I didn't enjoy shopping for them and I'll keep the leftovers for my next project.

              

Let's move on to the vintage patterns. I love the graphics. When you can buy old patterns at 10 cents each, you acquire a whole lot of patterns for the same $20 patterns cost today.  And the instructions are much better, except for Vogue patterns. Vogue has made an art form of offering finicky instructions for things that are obvious and only a line for the impossible. I've got patterns from the 40's on. To sell them, I'd have to remove them from their envelopes, check to make sure they are complete, and put them back into the envelopes. I'm packing up those boxes and using the sealing tape. No time for this, no inclination for this. Besides, I WANT them all. Perhaps some day I will photograph all the pattern fronts and sell off the extras. Another project, another year.

When I left the NY area for the Midwest, I discovered that some stores regularly sold patterns at less than the suggested price, and some at $2 per pattern. This makes it possible to own patterns for things you would never make in your right mind. It makes it possible to give away entire boxes of unused patterns. And I did, three cartons of them. Most were purchased 2nd hand and some were just plain dumped on me.

Let's not get into the patterns for doll clothes. I've got patterns for dolls I owned as a child, patterns for dolls owned by children of neighbors and friends. I've been given multiples of vintage Barbie patterns as people left the Barbie hobby. I accepted because I was certain that I would put them in the hands of people who needed them. And then  Mattel changed the size of the doll. I've got patterns from the big four, from indies, patterns I refined through 6 or 7 drafts, patterns I revised to fit nonstandard dolls. I used to throw away my altered patterns, certain that the doll would never cross my path again, but such is not the case.

I refurbish small dolls and give them to charities because I think it is important for kids to have toys, especially after they've been burned out of their homes. I now recognize that if I've devised clothing for a doll once, that type of doll will turn up nude in the next 3 years. So really, 3 cartons of patterns just for dolls is reasonable. 

It is easier to rant about the indecision and futility of my chore than it is to just do it. I've been at this for long enough that I've had to open some boxes because what I need has been sealed away for months.


Saturday, March 30, 2013

Perpetually Puzzled

 I've begun at long last to sell extra dolls on eBay. It is what is known as a learning experience.  Questions arise that don't seem to be answered in any FAQ's. 
 
If boxes provided by USPS are the only ones suited for Priority mail, why are we always asked if we want our  Christmas fudge, boxed in recycled bleach boxes, to go Priority?

Why is the USPS FAQ so circular? When the general FAQ wasn't enough, I was encouraged to ask a question ... and was sent right back to a list of general topics, not one of which offered the specific information I wanted.

None of the priority boxes is the right size for an 18 inch Miss Revlon or a 22 inch lookalike doll.


Why have all large-sized padded envelopes vanished from stores?



I spent $7 to mail something that should have gone for $3 in a padded envelope. How can a company that sells up so often be in the red?

Why is eBay so pushy about leaving feedback? The Leave Feedback command pops up the instant you enter a tracking number. If you leave feedback at that point and something goes wrong, you can't change it.  


Why is it easier to end an auction early than to get revisions to stick?  Silly me. Because they can CHARGE you for ending an auction.

I need to keep records. Standard record keeping systems don't have the right kinds of
spaces. I have to create a template.



Why is the 21st century so complex?


Having people bid on a doll I no longer have house space for is a mood elevator. Adding up the shipping costs and time is not. There's photography, research, writing descriptions, driving to the post office. Driving to the post office could be considered a mental health investment, because I actually leave the house.


I have spent money on a postal scale, postage, camera batteries (lots of them) and mileage. I have poured time into writing correct descriptions. I've still got too many dolls and researching dolls for pricing help makes me want more. 

I feel as if  there is only an illusion of progress, but I'm afraid to add and subtract and find out for sure.  I do have an appropriate monicker: haneysews.

Monday, March 4, 2013

Knowing Nothing about Pop Music


Until Christmas, I had precisely 3 music CD's (Everly Brothers, Roy Orbison, and Marie-Lynn Hammond), some LPs bought before I got married, and  tapes the former partner cringed at. Married, I never had to buy music because the partner acquired it the way some people breathe: in large gulps.

It was obviously time to buy more. I started with CD's from the dollar table at 2nd & Charles. Lee Ann Rimes, Reba McIntyre, Kathy Mattea, Shawn Colvin because I'd heard and enjoyed Sunny Came Home. Aside from that one song, I can't stand the Colvin album. Turns out it is a divorce album. Feh. So is the Kathy Mattea. I sure can pick'em. Lee Ann Rimes Blue is a good wailer.

I bought James Blunt's Back from Bedlam because I hovered between being appalled at how maudlin the lyrics were and enjoying singing along. James Blunt said that for the videos that went with his first album, he allowed them to bury him up to his neck in the desert, and push him off a cliff into icy water. Now that he knows more about the music industry, he said, he'll stick to videos where he gets to stand around on a beach. He's charming and funny and has good comedic timing in interviews (also on youtube). It is best, I find, not to think too much about the manipulative song construction.

Now I've bought Josh Groban (partly because he has cute puppy dog eyes and was amusing on Never Mind the Buzzcocks, a British show I devoured on youtube) but mostly because he can stay on key and is pleasant. I knew he'd sung a
duet with Celine Dion in Las Vegas. Dion's singing has always sounded loud and flat to me. I feel that liking Groban puts me firmly among the fogies. He's known for full throated operatic treatment of popular songs, but this album seems more operatic. It was not on the dollar table.

Also from the Pop/Rock stacks, I bought Meat Loaf Bat Out of Hell II for I'd Do Anything for Love (But I Won't Do That). The entire album is Jim Steinman tunes. The former partner HATED Jim Steinman tunes, calling them overwrought, over-emotional and manipulative (but how do you really feel?) I would never have bought it if Meat Loaf hadn't been so charming on Never Mind the Buzzcocks.


 I'm less than thrilled with the convention of overprinting the lyrics onto        photos, and printing in 4-point type. And albums that don't include lyrics? I really really hate them.





Friday, January 25, 2013

Happy Cookie



Why does drinking half a mouthful of mulled apple juice move me from glum to hopeful? A speck or two of nutmeg dropped into 8 ounces of apple juice along with 1/4 tsp of cinnamon, heated to boiling and allowed to cool to drinkable temperatures, lifts my mood from "oh mumble, another day" to mildly hopeful. I was just trying to make drinking juice less predictable and got a mood improver. Oh Joy, literally. 

Of course I had to research it. Imagine my delight when I encountered, buried in an article on the narcotic effects of nutmeg, this recipe:

"Cookies for Preventing Sadness
Christian Rtsch and Claudia Mller-Ebeling (2006) offer the following recipe for "Cookies for Preventing Sadness" in their book Pagan Christmas: The Plants, Spirits, and Rituals at the Origins of Yuletide.
2 Tbsp ground nutmeg
2 Tbsp ground cinnamon
1.5 tsp ground cloves
3 cups flour
3/4 cup sugar
2 sticks of butter
2 eggs
pinch salt
3/4 cup chopped almonds 


Mix ingredients and bake cookies at 350F for five to ten minutes. The cookies are sweet, spicy, and they lift the spirits. Perfect for the holidays. "

There were no instructions on how to use the cookie dough. Did you roll it into balls before pressing it onto cookie sheets? Did you mash the balls down, like peanut butter cookies? Did you roll it into logs and chill, then cut off slices? I tried all these methods. Rolled into balls and baked is my preference. The brown dough does not get noticeably darker in baking, but the texture changes.

Cookies for Preventing Sadness are fine. I doubt that eating a Happy Cookie will quell a full blown panic attack. Neither will it transport you into culinary ecstasy.  

So far, eating three cookies a day means I accomplish more of the things I think about doing, and falling asleep is easier, or at least less impossible.  I suffer from seasonal glumness. When the days are short, so is my temper, and everything is an effort. Several times I have discovered that I am halfway through a project that previously was too much trouble. A coat needed its lining repaired. It's nearly done. Why don't I paint a metal washer with nail polish and see how it looks? Fairly decent. Why don't I use up those figs in a cake? Too much trouble.

I am not at all tempted to eat more than three, my arbitrary cookie limit, in a sitting. They are not particularly sweet. The amount of cinnamon makes my throat burn slightly. The cookie is crumbly, moist, and satisfying. 


For gloom, mild anxiety and sleeplessness, "eat a cookie and call me in the morning" seems a reasonable course of action.

Tuesday, January 15, 2013

Sewing Hubris


1. Sewing hubris may strike at any time.
2. Just because something is possible doesn't mean it should be done. For instance, just because, days before Christmas, I learned that a tall skinny person wanted pajama pants and I have more fabric and patterns than any one person ought to, doesn't mean I should fill spare moments with a strange pattern. I did anyway.

3. Reading pattern instructions does not mean you should follow them blindly. I read the instructions. I attempted to follow them instead of just sewing pajama pants the way I've been doing for eons. I ripped out all the seams twice, and gave up on finishing them for the tall one. I would alter the pattern so it would fit a short rounded person: me.
4. Just because it is an old pattern does not mean the measurements are out of date. I assumed that the pattern from the 1980s would do what most vintage patterns, have done--shift sizes downward.  I added 2 inches to each side.  I assumed that I would have to add a diamond at the center back because I have curves and the person for whom I was making the pants in the first place does not. But wait! The 1986 pattern also came in Short, Average, and Tall, and I had used Tall. No need to add in back, just remove in front. And my, these seem roomy.
5. When the pants seem roomy in the try-on stage, they probably are. I marked the waist by tying elastic around my waist and pulling the extra fabric over the elastic until the fabric fell without wrinkles. Roomy, though.
6. Even when the waistband is elastic, it's a good idea to have a separate waistband. It is so much easier to manipulate 3 inches than 30 inches of fabric. I got this right.
7. Mark both the waistband and the pants into quarters and stretch  the waistband to fit the waist.  I lazily figured that it was elastic, and would fit, and ended up unpicking half the band and redoing it.
8. The pants are about 4 inches too wide all around, the precise amount I added. They are pajama pants, lounge pants, and  it doesn't really matter. Besides, loose pants are good when one is battling a knee wound that oozes constantly.
9. Accept it that sometimes what you sew is neither a win nor a loss.
10. The pattern you want to use will show up just after you complete the item with a pattern previously unused.
11. Perhaps I should cut and sew pajama pants that are less roomy. How often does one need pants to accommodate a herd of ferrets?